Jazz Performance

Alex Taylor is a trombonist, sousaphonist, composer, arranger, and educator based in Adelaide, Australia. He was a semi-finalist in the 2017 Australian National Jazz Awards and released his debut album Sleep Faster on Wizard Tone Records in 2019. In 2021, has performed with the Australian National Jazz Orchestra (2021). Additional highlights include performing with Vince Jones, The Cat Empire, Lisa Simone, and Midnight Oil.

Alex’s compositions and arrangements have been performed throughout the Adelaide music scene including by several projects under his leadership. He has been commissioned to compose set pieces for ABODA-SA Bands Festival and the SA Schools Jazz Festival, and served as an adjudicator for high school band festivals.

Alex completed his Masters degree in 2025 and is currently Lecturer in Music (Jazz performance) at the Elder Conservatorium of Music where he teaches trombone, leads masterclasses and tutorials, and directs the Elder Conservatorium Big Band. Since 2014, he has volunteered for Creative Original Music Adelaide (COMA) committee and currently serves on its Artistic Direction Team.

Bachelor of Music (First class HONS), Elder Conservatorium, 2016; Masters of Teaching, University of Adelaide, 2018. Lecturer in jazz trumpet.

Luke White is an Adelaide born musician who graduated with first class honours from the Elder Conservatorium of Music in 2016, specialising in Jazz Performance. He later went on to complete a Masters of Teaching from the University of Adelaide, graduating in 2018.

Luke has performed regularly at the Adelaide Fringe Festival, most notably with Hugh Sheridan’s award winning show California Crooners Club. He has appeared on tours both nationally and internationally and has performed with jazz musicians such as Will Vinson and James Morrison. In 2021, Luke was selected to play within the backing band for the Adelaide contestant at the Wangaratta Jazz and Blues Festival. As a freelance musician based in Adelaide, Luke plays with several local Big Bands and Small Ensembles in addition to having worked with the State Opera of South Australia.

As an educator, Luke has over 10 years’ experience as a trumpet teacher and band director across numerous schools within Adelaide, including St Peter’s College, Walford Anglican School for Girls, Westminster School and Immanuel College, amongst others.

Lecturer in Jazz Guitar, Jazz Musicianship 2A/2B, 3, small ensembles, co-ordinator Jazz Performance

Australian guitarist James Muller is one of the most exciting and innovative musicians on the Australian music scene today.  James has performed with Herbie Hancock, John Scofield, Vinnie Colaiuta, Bill Stewart and Maria Schneider and was part of James Morrison’s and Vince Jones’s bands for many years.

Amongst his many accolades he was winner of the National Jazz Award at the Wangaratta Jazz Festival in 2000, he was awarded the Freedman Fellowship in 2004, he was winner of the ARIA for Best Jazz Album 2000 for his - James Muller Trio album “ALL OUT”, he is a dual Mo Award winner (National entertainment industry award) for Best Jazz Instrumentalist and Best Jazz Group 2001, his tune “PAUL BLEY” taken from “THRUM” was winner of the APRA award for Most Performed Jazz Work 2003 and he was the subject of a full length interview in esteemed US magazine “Guitar Player” in April 2008.

Bio coming soon

Bio coming soon

Dr Lyndon Gray is an Adelaide bassist and composer who is currently a lecturer in the Elder Conservatorium Jazz course. Lyndon has performed with many elite Australian jazz musicians including Paul Grabowsky, James Muller and Julien Wilson, and leads many groups of his own. His reputation as bandleader led to him curating the “A Night Of Jazz” concert at Her Majesty’s Theatre in 2021, a concert broadcast by ABC radio that featured many international jazz artists.

In 2018 Lyndon completed his PhD which explored South Indian rhythmic devices and their integration into jazz. He has had a varied career as a double bass and electric bass player and performed as a featured guest with the Adelaide Symphony Orchestra, in musical theatre (including “Matilda” in 2017) and won two ARIA awards as a member of the folk/alternative country group The Audreys.

Timothy Clarkson is a passionate educator, accomplished saxophonist, and researcher whose career spans jazz performance, music theory, and musicology. He is currently completing a PhD at the Sydney Conservatorium of Music, where his research proposes an innovative analytical model for 1960s jazz that integrates performer perspectives, African-American socio-cultural discourse, and theoretical approaches such as Neo-Riemannian Theory. His work has been recognised nationally and internationally, including presentations at the Society for Music Theory in the US and the Rhythm Changes Conference in the Netherlands. He also contributes actively to the Musicological Society of Australia, organising panels and events that bridge practice, research, and education.

As a performer, Clarkson has released four albums as a bandleader and worked with internationally renowned artists including George Benson, The Temptations, and Grammy-winner Elio Villafranca. His artistic practice is grounded in collaboration and cultural engagement, spanning Cuban-Australian, Bulgarian, and Arabic music traditions, and Indigenous-led improvisations. His teaching draws on this rich interdisciplinary background, fostering student-centred, research-informed learning across jazz performance, musicology, and improvisation.

Dusty Cox holds a Master of Music in Classical Saxophone Performance from the University of Northern Colorado (USA).  He was nominated for a Grammy Award in 1994 and was also awarded five Downbeat Student Music Awards while completing his masters degree.  

Before coming to Adelaide, Dusty was the Jazz Saxophone Lecturer at the University of Kwazulu Natal in Durban, South Africa where he taught and performed with Professor Darius Brubeck.  

He has taught a variety of classes and ensembles at the Elder Con including improvisation, theory, small ensembles, sax ensembles, big band, saxophone masterclass and more.  

Master of Music, Elder Conservatorium, 2010. Lecturer in jazz saxophone.

Derek Pascoe has been playing saxophone professionally for almost 50 years including regular TV, radio broadcasts and studio recordings across a range of genres. At the age of 17 he was a member of pop group Flintlock, who produced 5 albums and were featured weekly on UK national television including Top of the Pops and Tomorrow’s People. Pascoe has played at many of London’s Jazz venues including Ronnie Scott’s, Bass Clef and the Jazz Cafe. He has toured extensively throughout Europe and Japan.

In 1998 Pascoe moved to Australia from London. He completed a Master of Music at the Elder Conservatorium Adelaide in 2010, exploring performance and spontaneous improvisation techniques. Since 2000, he has lectured in Jazz theory and Improvisation across the Jazz, Classical and Contemporary disciplines at the Elder Conservatorium.

Bio coming soon

Bachelor of Music (HONS), Elder Conservatorium, 2011. Master of Philosophy, University of Adelaide, 2015. Lecturer in jazz drums, drum masterclass.

Stephen began playing drums in rural NSW. Since moving to Adelaide in 2008 he has established himself as an active member of the South Australian jazz community and has toured nationally and internationally with various artists. He commenced teaching at the Elder Conservatorium in 2012 and is yet to give reasonable grounds for his dismissal.

Bachelor of Music (HONS), Elder Conservatorium, 1997; Master of Philosophy, University of Adelaide, 2015. Lecturer in jazz drums, drum masterclass.

John graduated in 1997 from the University of Adelaide with a scholarship funded Honours Degree in Jazz Performance. In the same year, he was runner-up in the “Best Up & Coming Drummer” competition at Melbourne’s Ultimate Drummer’s Weekend and also one of 10 finalists in the Wangaratta Jazz Festival’s national jazz awards.

In 2013, John received a grant for a study trip to Rio de Janeiro and in 2015, completed a Masters Degree in Performance researching the contemporary application of Brazilian rhythms.

John has performed and toured with many notable artists such as James Morrison, Peter Cupples, Jon English, Jenny Morris, Rick Price, Kate Ceberano, Marina Prior, Todd McKenney and Tom Burlinson. He currently works mostly as a freelance musician and occasionally performs as a casual member of the Adelaide Symphony Orchestra. He has also performed for a number of touring musicals including Fame!, Chitty Chitty Bang Bang, Priscilla, Mamma Mia, Billy Elliot, Chess, 9 to 5 and Hairspray.

Lauren Henderson is an award-winning vocalist, composer, actor, educator and mother of two beautiful children. She is the Head of Jazz Voice at the Elder Conservatorium, The University of Adelaide and is passionate about helping people unlock their creativity, potential and pursue their passions. 

She has worked with Internationally acclaimed artists such as Moonchild, Jazzmeia Horn, Joe Chindamo, Anna Butterss, Matthew Sheens, James Muller, Gian Slater, Michelle Nicolle, Anita Wardell, Anna Goldsworthy, Robyn Archer and The Lost and Found Orchestra (creators of STOMP!). 

Lauren holds an acting degree with honours from Flinders Drama Centre and her accolades include: Winner of the National Jazz Awards - voice (2020), Freedman Jazz Fellowship Nominee (2016), Top twenty semi-finalist in the Thelonius Monk Competition for jazz voice (2015), Helpmann Academy Vocal Jazz Award (2013), Downbeat Student Music Award (2013). Lauren is also a certified Estill Master Trainer. 

Catherine has been working as a vocal specialist for over 20 years. She is passionate about voice and helping people achieve their vocal goals by developing solid vocal technique, repertoire, performance skills and maintaining optimum vocal health.

Catherine holds a Bachelor of Music in Jazz performance and a Graduate Diploma in Education. She has studied and taught the Estill Vocal Model extensively and is a qualified Estill Master Trainer with Service Distinction, co-hosting on courses nationally and internationally. 

​She has performed in musical outfits Nationally and internationally from disco funk to 9-piece Latin bands to pop/rock, jazz and vocal jazz ensembles. She currently performs as a vocalist, actor, Musical Director, composer, pianist. 

She has taught extensively at tertiary institutions, high schools and her private studio as a specialist in singing, spoken word and remedial voice.

Currently Catherine is Head of Voice lecturing at AC ARTS TAFESA in the Music and Acting Department (spoken and sung voice) where she is also Musical Director and composer. 

She has been teaching as a Vocal Lecturer at the Elder Conservatorium in the Music Theatre Degree since 2021 and is thrilled to have joined the Jazz Department in 2023.