Performance and Pedagogy
Music education is a rewarding and invigorating area to work in.
Join us
This intensive post-graduate degree combines performance studies in your specialisation with coursework that explores best practice in instrumental pedagogy.
Its curriculum is tailored to the 21st century music career path, which requires flexibility and versatility.
You will develop the skills of a first-class teaching artist, benefitting from both one-to-one performance-based lessons and significant research into learning and teaching.
What you'll study
Career opportunities
You'll be well prepared to pursue a dual career in music performance and education.
You may play in an orchestra or perform as a soloist...
...while running a private music studio or teaching masterclasses.
Or branch out into other professions such as music journalism or coordination.
Master of Music (Performance and Pedagogy)
"I enjoy all my one-to-one lessons, and we have the freedom to choose what repertoire we are going to do the next year." - Yueqi Li
Learn from the best
Learn from industry-leading musicians and artists.
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Emily Dollman
Emily Dollman is the Head of Music Education and Pedagogy at the Elder Conservatorium of Music, University of Adelaide, a TEQSA Expert Adviser in Music, a Council Member for ASME SA, a Board Member for AMEB SA and a member of the Music Education Roundtable.
Emily’s background combines experience as a professional violinist working at the international level with a long standing commitment to music education and instrumental pedagogy. Emily has worked with leading orchestras and chamber ensembles in Australia, the United Kingdom and the Netherlands, including Adelaide Baroque, City of Birmingham Symphony Orchestra, The Hanover Band, and the Australian Brandenburg Orchestra.
Emily has focused her research on models of partnership between professional music organisations and music education providers.
Emily’s book ‘Opening Doors: Orchestras, Opera Companies and Community Engagement’ is being published by Routledge in 2023.
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Oliver Fartach-Naini
Oliver Fartach-Naini has toured across Europe, Asia, Australia and the USA. His most recent accolade was published in US magazine CLASSICAL GUITAR, which included his solo album SUITE LATINA in its list of ‘Top Ten Classical Guitar Albums of 2019’. Oliver Fartach-Naini has recorded 11 CDs for Deutsche Grammophon, Kreuzberg Records, Acoustic Music Records, Credia Classics and Ethnoclassics.
Oliver is the repertoire consultant for the AMEB classical guitar syllabus and published 7 graded repertoire books with instructional commentary and a 1000 work repertoire list.
Oliver holds degrees from the University of the Arts Berlin, the Academy of Music and Theatre ‘Felix Mendelssohn Bartholdy’ in Leipzig and a PhD from the University of Adelaide.
His teaching includes classical guitar, postgraduate supervision, chamber music and music education.
Find out more by visiting Oliver Fartach-Naini's website.
How to apply
Audition registrations are now open for Semester 2, 2024 entry.
Register for your audition/interview
Submit your audition/interview application
Pay audition/interview fee
When registering, you must pay a non-refundable audition/interview registration fee via the online shop to be guaranteed an audition (search 'audition').
Bachelor of Music applicants
There is an audition registration fee of $26 for the first audition and $21 per subsequent audition.
Apply to SATAC or International Admissions
Domestic students
You will need to lodge an application through the South Australian Tertiary Admissions Centre (SATAC).
International students
You will need to lodge an application through our International Admissions Service. You do not need to register for an audition.
Current UofA students
You will need to lodge an internal transfer application.
Prepare for your audition/interview
Please ensure you have followed the audition requirements for your specialisation:
Audition requirements by program
The Conservatorium does not provide accompanists except for the Bachelor of Music Theatre auditions. All other auditions that require an accompanist should contact the Accompanists' Guild of SA.
Applicants should contact accompanists as early as possible as auditions cannot be rescheduled to accommodate accompanist availability.
On the day of your audition, please ensure you arrive 15 minutes prior to your audition or interview. You will receive notification of your audition outcome following your audition.
We look forward to meeting you!